Two of the albums, Shiloh Vols. 1 and 2 are from the Shiloh Super African Live Gospel Band & the Kushite Voices and all compositions in the collections are by members of the. group.

In African American gospel music, new sounds and idioms have always emerged, and sometimes they were integrated amid ...

College Plans 29th African American Gospel Music Festival Home News News Detail 10/21/2014 Voices of praise will ring out in Cortland from two newcomer guest choirs, the Dorothy Cotton Jubilee Singers ...

In his new documentary Machanic Manyeruke: The Life of Zimbabwe’s Gospel Music Legend, filmmaker James Ault reminds us of the effervescent worship culture that thrives across Christian Africa. So much ...

As religious people, the music that they can relate to, it’s gospel music,” he said. He said another reason for gospel’s popularity here is historical: it was used as a voice against apartheid.

From “Go Down, Moses” to Marvin Sapp’s “Never Would Have Made It,” gospel brings God’s presence to bear on African Americans ... gospel music industry combined,” he boasted. That claim — true or not — ...

THE praise and worship music found in the African Pentecostal Church is in the ascendant over traditional Caribbean gospel music, the author of a new book on the history of gospel music has said. Roy ...

The compiler of Classic African American Gospel, a new collection from Smithsonian Folkways, talks about the roots of Motown in gospel music, its role in the Civil Rights movement, what new gospel ...

The “Black Church in Detroit” explores the history and influence of Black religious music. For Black Music Month, host Stephen Henderson talks with Rev. Larry Simmons of Baber Memorial AME ...

THE rhythmic pulse of gospel music resounded across the Gallagher Convention Centre in Midrand, South Africa, as Zimbabwe’s gospel singer Everton Mlalazi basked in the glow of a triumph at the ...

On the turn of the 20th century, and a turn away from spirituals and toward gospel "One of the things that has often plagued music in the African-American church is this idea of respectability ...

These foreign gospel artists were those who mattered on the world Gospel music scene! They were the crème de la crème, toping charts around the world, both in mainstream media and digital media.