Recent stories of note: “‘Queen Mariana of Austria’: Diego Velázquez’s Monumental Portrait of a Monarch” Mary Tompkins Lewis, ...

The two pianists sat down for encores, and at the same piano: the encores would be four-hands, not two-pianos. Wang and ...

Last night, the New York Philharmonic offered a program with an accent on the mysterious and the French. Guest-conducting was ...

Cooper and Amelia Opdyke Jones,” an exhibition now on view at the New York Transit Museum in downtown Brooklyn, reveals how ...

This dialectic is partly a partisan political drama, partly an economic salvage effort, partly a chapter in that long-running ...

“H ow do you know what someone wants to be called?” A little girl—or at least she would appear to be a girl—ponders this ...

In Luke Stegemann’s perceptive “new biography” of the kaleidoscopic capital of Spain, he chides Hemingway for possibly being ...

Kyle Smith on “Gypsy,” “Death Becomes Her” & “Hell’s Kitchen.” ...

His works are antic, hers austere, yet these independent-minded sculptors are united by their fearless pursuit of personal ...

An Idea and Its History,” by J. C. D. Clark.

V is itors to The Frick Collection often ask how Henry Clay Frick (1849–1919) became a collector. How did such a ...

Soon came an explosion of monographs, biographies, and dissertations on Furness and his contemporaries. This rehabilitation ...