AI is on the march in Hollywood – but is there still a plot twist to come? - As British newspapers launch the Make It Fair campaign, Will Hosie looks at AI’s encroachment on Hollywood ahead of the Osc

Know about 'The Brutalist' director Brady Corbet's career, sources of income, net worth, and financial struggles regarding independent filmmaking.

Ahead of the 97th Academy Awards today, it appears that the ABC of the ceremony will be Anora, The Brutalist and Conclave, despite their brief brush with controversy over the lack of intimacy coordinators,

Oscar-nominated films 'The Brutalist' and 'Emilia Pérez' have admitted to using Artificial Intelligence, and it could cost them.

Contending for the best-picture accolade and garnering 10 overall Oscar nominations, “The Brutalist” is no doubt one of the best films of the year. The A24 picture directed by Brady Corbet, starring Adrian Brody as the Jewish architect László Tóth,

The Brutalist writer-director Brady Corbet was almost completely broke at one point, despite his film receiving 10 Oscar nominations this year. In a conversation on Marc Maron’s WTF With Marc Maron podcast,

Conan O'Brien is hosting the ceremony for the first time, after previously hosting the Emmys in 2002 and 2006. The evening promises to be a star-studded event, with presenters including Goldie Hawn, Joe Alwyn, Lily-Rose Depp, Selena Gomez, Sterling K. Brown, Ben Stiller, Oprah Winfrey and more.

AS the Oscar hopefuls met up for a glamorous pre-awards dinner this week, one major nominee was missing. Karla Sofia Gascon, who became the first ever transgender Best Actress nominee for her role

The Brutalist’ director Brady Corbet told podcaster Marc Maron that he’s earned no money from the film, which is up for 10 Oscars this year

“The Brutalist” director Brady Corbet just got his first paycheck “in years,” but it wasn’t from working on or promoting his critically acclaimed A24 drama, which is nominated for 10 ...

"The Brutalist" director Brady Corbet said he made "zero dollars" for his last two films and called the film promotion process "crazy."

That evening, Corbet was good company: witty and intellectual, well-read and opinionated. Frequent topics of digression include his favourite writer, the German WG Sebald (“I wanted to make a film like Sebald writes,