On its 100th anniversary, Matthew Ricketson, considers The New Yorker’s remarkable journalism and vital role in our chaotic, algorithm-driven world.

For a little while, in the early 2000s, there was a tendency to put out commercials and music videos which looked like they’d been shot in log and broadcast almost untouched. Let’s be clear that this ...

Many governments classify film as a luxury or specialty item rather than an essential good, resulting in higher tax rates.

Stands Still is the first full-length fiction from Dela Cruz, noted as a gallery artist as well as a film-maker, and a ...

Bloom & Rage creative director Michel Koch talks why the story is set in the 1990s, the decision to release it in two parts, ...

I like to watch the vision come to life—especially the detail in the eyes,” Haywood said. “It looks like it’s jumping off the ...

That said, Filmora doesn't provide quite as much fine control as our Editors' Choice winners for the category, Adobe Premiere ...

The quickest, most cunning and New Yorkiest of all street photographers, Weegee treated mundane horrors as a form of show business. It’s a truism by now that Instagram (or, before that, TV or the ...

Use precise geolocation data and actively scan device characteristics for identification. This is done to store and access ...

A journey from recovery to creativity, local photographer showcases landscape and wildlife images in his first public exhibit ...

The Galaxy S25 Ultra impresses with AI smarts and an improved camera but it builds on earlier improvements. It could use ...